15th Oct2009

On the Implications of Stitches

by Janina

stitchesSeveral months ago I met with a representative from the Norton group who strongly encouraged me to pick up a copy of Stitches: A Memoir by David Small.  I had kind of forgotten about the book until it arrived and I put it on the shelf. It is a remarkable book.  Written and illustrated by David Small, a childrens author and illustrator, it is an autobiographical graphic novel: a comic book.  The implications of such a title didn’t hit me.  Recently we have made a movement in our store to give better real estate and advertising to our Graphic Novel section, under the belief that the old stigma of the “comic book geek” has died, that more and more known literary figures are delving into the genre, that hollywood has begun to take an intensive and serious interest, and that it has truly hit the mainstream–but not just the mainstream, it has hit the intellectual.  Over the years, people who might have scoffed at someone reading a comic book have found their favorite authors immersed in the genre:  Michael Chabon, Neil Gaiman, Joyce Carol Oates, Paul Auster. More and more people are discovering the depth that and brilliance that comic books can give to narrative tale.  There is no longer a reason to banish them to the basement, hide them under the bed, or fear the comic book guy.  People display them proudly on their home book shelves next to copies of Ulysses or A Remembrance of Things Past, as we display them proudly next to our literature section.  But this is still the bookshelf of the younger generation.  With the introduction of Stitches, as well as Logicomix (a graphic novel about Bertrand Russell, mathematics, and the intellectual demons), this genre is quickly bursting open to new groups of people: older intellectuals, librarians, teachers.  These books are making waves throughout the literary scene, shocking the New York Times, and exposing a skeptical group of people to the depth and intensity that a graphic novel can embody. Talking with a fella from Diamond Distribution last week, he told me “I don’t think Norton understands the importance of putting out a book like this”. What he further explained, is that  Stitches is starting to reach educators, radically changing their ideas about the potential of graphic novels to help children understand complex themes, as well as beginning readings.  The fact that it is published by Norton gives it instant literary credibility; and once readers see that a graphic novel is not the same as “the funny pages”, an entire new world opens up before them.  This book is beautifully illustrated, eloquently narrated, intense, dark, and playful.  It is groundbreaking.

So, without further ado… For this week’s books in motion we bring you 5 scenes from David Small’s new book: Stitches: A Memoir

Available Now at Logos
Stiches: A Memoir
By David Small
$24.95

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13th Oct2009

Weekly Picks (October 13th)

by Janina

weeklypicks

Every week Logos employees come together to pick the books and music generating the most interest from their departments.

From the New Book Department

1. The Arrival by Shaun Tan

2. Click: One Novel Ten Authors by Nick Hornby, Eion Colfer, Roddy Doyle, Gregory Maguire, David Almond, Deborah Ellis, Margo Lanagan, Ruth Ozeki, Linda Sue Park, and Time Wynne-Jones

3. Bird by Andrew Zuckerman

4. All Cakes Considered by Melissa Gray

5. Everything and Nothing by Jorge Luis Borges

From the Used Book Department

1. Through A Calendar’s Window by Julian B. Arnold

2. Strange Foods: Bush Meat, Bats and Butterflies By Jerry Jopkins and Michael Freeman

3. Anatomy of Insects & Spiders by Claire Beverly & David Ponsonby

4. SCHEHERAZADE: Comics About Love, Treachery, Mothers & Monsters Edited by Megan Kelso

5. Book of Codes: Understanding the World of Hidden Messages edited by Paul Lunde

From the Music Department

1. The List from Rosanne Cash

2. Secret, Profane & Sugarcane from Elvis Costello

3. Vision Valley from The Vines

4. The Hazards of Love from The Decemberists

5. A Wonderful World from Tony Bennett & K. D. Lang

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12th Oct2009

News This Week (October 10th)

by Janina

Every week Logos employees collect the most interesting news bits from the book and music world.

Read a John Ashbury poem.

The Tin Drum is the 20th Century’s cultural icon.

The first new Winnie-the-Pooh since 1928.

Amazon launches the Kindle worldwide.

T. S. Eliot is named as the nation’s favorite poet in the UK.

Archie’s confusing romance is far from over.

Editor Kate Duffy dies at 56.

Yiddish author Josef Burg dies at 97.

Herta Müller wins the Nobel Prize in literature.

Harvard buys John Updike’s archives.

Read an excerpt from Vonnegut’s Look at the Birdie.

The British Library buys the Eva Figes archives for £20,000.

Frankfurt Book Fair opens under censorship accusations.

Inherent Vice = Grand Theft Auto?

The New York Times features a crossword puzzle of author names.

Criminal charges for advice in a self help book?

People are starting to get excited about Eoin Colfer’s revival of A Hitchhiker’s Guide to the Galaxy.

The largest collection of rare Chinese books will be digitalized.

Maurice Sendak says “Go to hell”.

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09th Oct2009

Pulp Covers: In Retrospect No. 2

by Janina

ubikA selection of covers from our vintage section.

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08th Oct2009

Danzig Shares His Book Collection

by Stacie

For this week’s books in motion we bring you the book collection of Glen Danzig. Or rather he does.  Enjoy!

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06th Oct2009

Weekly Picks (October 6th)

by Janina

weeklypicks

Every week Logos employees come together to pick the books and music generating the most interest from their departments.

From the New Book Department

1. Manhood For Amateurs by Michael Chabon

2. Destiny by Otto Nückel

3. Passionate Journey by Frans Masereel

4. God’s Man by Lynd Ward

5. Wilderness by Rockwell Kent

From the Used Book Department

1. Struwwelpeter by Heinrich Hoffman

2. The Very Persistent Gappers of Frip by George Saunders, Illustrated by Lane Smith

3. Animals of the Ocean: Giant Squid by Dr. and Mr. Doris Haggis-On-Whey

4. Stitches by David Small

5. Be a Nose by Art Spiegelman

From the Music Department

1. Black Gives Way to Blue from Alice in Chains

2. Crash Love from AFI

3. A Real Mother For Ya from Johnny Guitar Watson

4. The Rose Hotel from Robert Earl Keen

5. An Introduction to Billie Holiday from Billie Holiday

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04th Oct2009

News This Week (October 3rd)

by Janina

Every week Logos employees collect the most interesting news bits from the book and music world.

Logos Books & Records celebrates it’s 40th anniversary next week.

Pulitzer Prize winning columnist, William Safire, dies at 79.

JK Rowling joins twitter. For real.

David Mamet’s adaptation of the Diary of Anne Frank is rejected by Disney for being too dark (we can’t say we didn’t see that one coming).

The Lost Symbol has a new contender for sales on ABE books.

The New York Times busts Nabakov for using note cards in an interview.

Moby Dick will become a TV series.

The Guardian UK considers the history of The Hitchkiker’s Guide to the Galaxy.

And Tango Makes Three Rises to the top is on the rise from its publicity on the Banned Books List.

Elmore Leonard will be honored with the lifetime achievement award.

JK Rowling is shunned, no freedom for witchcraft?

Terry Pratchett continues to criticize anti-assisted suicide guidelines.

The 2,560′th birthday of Confucius is celebrated.

Rebecca Eckler pays Margaret Atwood to maybe kill her?

Haruki Murakami is split in two.

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02nd Oct2009

Master and Margarita | Banned and Censored: A History and Guide to the Translations.

by Janina

master1The Master and Margarita is one of my favorite books of all time.  A satire of soviet life, The Master and Margarita features the devil and his retinue, Pontius Pilate, Yeshua Ha-Nozri (Иешуа га-Ноцри, Jesus the Nazarene), and nearly 10-20 other characters all caught up in fantastic and very chaotic adventure.  Bulgakov’s portrayal of the Russian literary union, the housing crisis, the collective fear of foreigners, and his fresh portrayal of famous biblical characters is absolutely and hysterically funny.

When Mikhail Bulgakov began writing this novel, he was in the midst of extreme success for his satircal plays which largely teased and harassed the White Army: the opposition to the communism during the revolution.  Perhaps growing too bold for Soviet times, he wrote a play (The Purple Island 1929) which criticized officials of the New Economic Plan, which created such a violent reaction that his works were immediatly banned and his career ruined.  Fearing further persecution, a year later in 1930 he burned the manuscript for The Master and Margarita and requested permission to emmigrate to his family in France.  The request was denied, and he was told if tried to leave Russia he would be killed.  In 1931, under encouragement from his new wife Yelena Shilovskaya, he started rewriting the novel, finally completing a 4th revision of the book in 1940, just weeks before his death from a hereditary liver disease.  After his death, his wife completed a final version based on notes and planned revisions in 1941.  It was 25 years before it appeared in print, in what is considered startling oversight in Soviet literary politics.  This  censored version of the text (with 12% removed and more changed) was published in 1966 in Moskva Magazine. Illegal pamphlet copies of the book called samizdats that contained the uncensored text were distributed by hand and eventually used in 1967 by a publisher in Frankfurt to complete the first full published version of the text.  The first complete version to appear in Russia wasn’t until 1973, compiled by Anna Saakyants and published by Khudozhestvennaya Literatura.  This was considered the cannonical version until 1989 when Lidiya Yanovskaya prepared the final version based on all available texts and manuscripts.

master 2

Mirra Ginsburg Translation (Grove Press 1967):

Translated from the original censored magazine publication in 1967, this is one of the first English translations.  Considered hurried by some, a Russian professor of mine once declared that her translation is the only one that truly captures the comedic sense of the novel.  Hurried or comedic, this is an incomplete edition.

master1

Michael Glenny Translation (Harper &  Row 1967):

Translated from the  Frankfurt edition, this is often considered the first complete translation in English, also from 1967.  For many, this translation is still incomplete, as it is taken from the a version of the book that was pulled apart then pieced together from samizdat texts. This translation was the only available complete edition in English for 28 years.

master 3master 4

Where the real split begins is between the Diana Burgin & Katherine Tiernan O’Connor translation and the Richard Pevear & Larissa Volokhonsky. translation.  Published within years of each other both translations are incredibly complete, with notes, two translators, and a consultant.  Both translations seek to be accurate while still preserving the literary style of the satire.  Often, with excellent translations such as these, it can come down to an arbitrary personal preference.  Mine is firmly planted with Pevear & Volokhonsky, who are renown for the translations of Dotstyevsky, Chekov, Tolstoy and Gogol.  Nearly everyone I know who has read The Master and Margarita has read this translation and fallen in love with it, which makes me want to recommend it as the be-all and end-all edition, but the praise I have read by obviously devoted Bulgakov fans for the Burgin & Tiernan translation makes me hesitate.  Either way you go, you are sure to end up with a lovely, hysterical, and amazing story.

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01st Oct2009

Logos Celebrates our 40th Anniversary!

by Debbie

On October 1, 1969, in a small shopfront on Cooper Street, Logos opened its doors.

If you search for “this day in history” not a whole lot happened; I mean, the opening of Logos was pretty much it! Santa Cruz was sleepy–especially downtown–more a retirement haven than whatever you might call it today. And it is fairly certain that no one at that time anticipated Logos being around long enough to start contemplating mid-life crises, or empty nest syndromes.

We have endured: earthquakes, floods, bad economies, rude clerks, nasty customers, amazon, bookstore-pretenders, street closures, thefts, embezzlers, music downloads, burning porta-potties (ok, that’s another story), the brussel sprouts processing plant, irreplaceable employees leaving, replaceable employees staying, kindles, the deprecation of intellectualism, disastrous economies, the devaluing of Pacific Avenue, inappropriate drumming, tweakers, stoners, drunks, and any number of people who got up on the wrong side of the bed and said to themselves: “I think I’ll go mess with the people at Logos today.”

We have also been (and continue to be) the beneficiaries of extreme customer loyalty, spectacular book and music collections, an unparalleled staff, a generous boss, ongoing enthusiasm for our own work, and a non-corporate workplace that–despite its kinks–proves that this is possible over a very long term.

One third of the staff has worked here more than 15 years; it is more than a job to most of us, a place where we can actually be excited, daily, by the items that pass over the buy desk; a place where friendships are made on both sides of the counter; a place where good food is shared (constantly) and the customer is just as likely to interrupt a conversation about remote viewing, bunnies, or the quality of Trader Joe’s Cabernets as they are to hear a recommendation on the latest fermentation cookbook, or a review of the upcoming Dylan Christmas album.

We are, despite some claims to the contrary, not a particularly rude bunch, although we all have our moments (OK, some more than others). We are a literate group, and taken as a whole have pretty broad interests and experiences. We try to be patient but tend to take insults personally (please don’t expect our attention if you are talking on a cellphone and trying to arrange a buy at the same time.) Some interactions completely throw us (“Do you have the Little Prince by Machiavelli?”). We want to help you, we really do.

We have stood in and been a part of this community for 40 years and hope that we can do it for a long time to come. Selling books and music is not what it was 40 years ago, but we are profoundly lucky in that we are still surrounded by quality: books, music, dvds, our staff, our boss, AND our customers…Thank you all for your support and patronage, and we look forward to seeing you in Year 41.

The Santa Cruz Sentinel recently wrote an article about Logos, you can read it on their website or by downloading a pdf of there article here.

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01st Oct2009

Banned Books Week | Puppet Book Banners

by Janina

For this week’s books in motions we bring you the kick-off sketch from the American Library Association for Banned Books Week.

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